Session 1 - Revision history

Greywolf at 02:55, 30 July 2021

2021-07-30T02:55:26Z

← Older revision		Revision as of 15:55, 30 July 2021
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	The PCs watch the second act during which the emotions of the crowd appear to become more intense, culminating in a near riot at the end of the [[play]]. Some people cry out and others scream. Nathaniel is left crying uncontrollably, while the man on his left punches his wife and grabs Nathaniel. Fortunately Captain Withers, mystified rather than affected by the performance and rendered furious by the assault on the lady, remains clear-headed enough to save Browne from his assailant. Someone sets off the fire alarm and there is a stampede toward the exits before the ushers restore order.		The PCs watch the second act during which the emotions of the crowd appear to become more intense, culminating in a near riot at the end of the [[play]]. Some people cry out and others scream. Nathaniel is left crying uncontrollably, while the man on his left punches his wife and grabs Nathaniel. Fortunately Captain Withers, mystified rather than affected by the performance and rendered furious by the assault on the lady, remains clear-headed enough to save Browne from his assailant. Someone sets off the fire alarm and there is a stampede toward the exits before the ushers restore order.

	Partly to avoid the police, who have arrived in the wake of the riot, the four companions go to the after-play reception and meet with the cast, who are largely unaware of any untoward incident. [[Browne]] meets [[Talbot Estus]] and discusses the play, which has inspired him, and its meaning with great fervour. [[Saunders]] discovers that his sister, [[Hannah Keith]] has been dreaming of [[Carcosa]] and seems to find the [[play]] disturbing, as does young [[Jean Hewart]]. [[Michael Gillen]] tells [[Doctor Bartlett]] that [[Talbot Estus]] seems to have a fear of the stars, as well as a mania for the [[play]], which he is attempting to novelise.		Partly to avoid the police, who have arrived in the wake of the riot, the four companions go to the after-play reception and meet with the cast, who are largely unaware of any untoward incident. [[Browne]] meets [[Talbot Estus]] and discusses the play (which has inspired him) and its meaning with great fervour. [[Saunders]] discovers that his sister, [[Hannah Keith]] has been dreaming of [[Carcosa]] and seems to find the [[play]] disturbing, as does young [[Jean Hewart]]. [[Michael Gillen]] tells [[Doctor Bartlett]] that [[Talbot Estus]] seems to have a fear of the stars, as well as a mania for the [[play]], which he is attempting to novelise.

	The reception breaks up after Estus has a heated exchange with the [[Scala Theatre]]'s manager, who is pulling the plug on the production because of the riot. Arrangements are made by the new acquaintances to meet for lunch at the weekend.		The reception breaks up after Estus has a heated exchange with the [[Scala Theatre]]'s manager, who is pulling the plug on the production because of the riot. Arrangements are made by the new acquaintances to meet for lunch at the weekend.
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	===October 20th 1928===		===October 20th 1928===

	The four new friends meet for lunch at Overton’s Oyster House. The play is discussed. [[Nathaniel Browne]], given a script by [[Talbot Estus]], has discovered that the play as performed does not match the [http://~~unboundbook~~.~~org/wiki~~/images/6/67/CARCOSA.pdf script] that Estus wrote. [[Andrew Saunders]] agrees to mention this to his sister, [[Hannah Keith]].		The four new friends meet for lunch at Overton’s Oyster House. The play is discussed. [[Nathaniel Browne]], given a script by [[Talbot Estus]], has discovered that the play as performed does not match the [http://tatterswiki.ddns.net/images/6/67/CARCOSA.pdf script] that Estus wrote. [[Andrew Saunders]] agrees to mention this to his sister, [[Hannah Keith]].

	At tea, Saunders discovers that both his sister and her husband have identical scripts to Browne's, and claim to have performed the play as written.		At tea, Saunders discovers that both his sister and her husband have identical scripts to Browne's, and claim to have performed the play as written.

Binder at 04:16, 18 March 2018

2018-03-18T04:16:43Z

← Older revision		Revision as of 17:16, 18 March 2018
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	Session 1 - Total Running Time : 1h 41m (62.3 Meg)		Session 1 - Total Running Time : 1h 41m (62.3 Meg)

	[http://www.unboundbook.org/wp-content/uploads/2018/03/TotK-Session-1-Opening-Night.mp3\| The Monday Night Players Present...Tatters of the King Session 1 - Opening Night] - Note: This recording was made in 2006 and as such is quiet in places and has some quality issues.		[http://www.unboundbook.org/wp-content/uploads/2018/03/TotK-Session-1-Opening-Night.mp3 The Monday Night Players Present...Tatters of the King Session 1 - Opening Night] - Note: This recording was made in 2006 and as such is quiet in places and has some quality issues.

Binder at 04:17, 17 March 2018

2018-03-17T04:17:48Z

← Older revision		Revision as of 17:17, 17 March 2018
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	Session 1 - Total Running Time : 1h 41m (62.3 Meg)		Session 1 - Total Running Time : 1h 41m (62.3 Meg)

	[http://www.unboundbook.org/wp-content/uploads/2018/03/TotK-Session-1-Opening-Night.mp3] - Note: This recording was made in 2006 and as such is quiet in places and has some quality issues.		[http://www.unboundbook.org/wp-content/uploads/2018/03/TotK-Session-1-Opening-Night.mp3\| The Monday Night Players Present...Tatters of the King Session 1 - Opening Night] - Note: This recording was made in 2006 and as such is quiet in places and has some quality issues.

Binder: New version of the Recording

2018-03-17T04:15:39Z

New version of the Recording

← Older revision		Revision as of 17:15, 17 March 2018
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	==Audio Recording==		==Audio Recording==

	Session 1 - Total Running Time : 1h ~~40m~~ (49 Meg)		Session 1 - Total Running Time : 1h 41m (62.3 Meg)

	[http://www.unboundbook.org/wp-content/uploads/~~2015~~/11/~~unboundbook~~-~~Tatter~~-of-~~the~~-~~King-Session-1~~.mp3 ~~Opening Night~~] - Note: This recording is ~~quite~~ quiet and has some quality issues.		[http://www.unboundbook.org/wp-content/uploads/2018/03/TotK-Session-1-Opening-Night.mp3] - Note: This recording was made in 2006 and as such is quiet in places and has some quality issues.

Binder: /* Audio Recording */

2015-11-06T03:31:43Z

Audio Recording

← Older revision		Revision as of 16:31, 6 November 2015
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	==Audio Recording==		==Audio Recording==

	Session 1 - Total Running Time : 1h 40m (28 Meg)		Session 1 - Total Running Time : 1h 40m (49 Meg)

	[http://www.unboundbook.org/wp-content/uploads/2015/11/unboundbook-Tatter-of-the-King-Session-1.mp3 Opening Night] - Note: This recording is quite quiet and has some quality issues.		[http://www.unboundbook.org/wp-content/uploads/2015/11/unboundbook-Tatter-of-the-King-Session-1.mp3 Opening Night] - Note: This recording is quite quiet and has some quality issues.

Binder: /* Audio Recording */

2015-11-06T03:31:30Z

Audio Recording

← Older revision		Revision as of 16:31, 6 November 2015
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	Session 1 - Total Running Time : 1h 40m (28 Meg)		Session 1 - Total Running Time : 1h 40m (28 Meg)

	[http://www.unboundbook.org/~~wiki~~/~~attachments~~/~~UBB_Tatters_of_the_King_~~-~~_Session_One~~.mp3 Opening Night] - Note: This recording is quite quiet and has some quality issues.		[http://www.unboundbook.org/wp-content/uploads/2015/11/unboundbook-Tatter-of-the-King-Session-1.mp3 Opening Night] - Note: This recording is quite quiet and has some quality issues.

Binder: /* October 18th and 19th 1928 */

2009-08-13T21:07:57Z

October 18th and 19th 1928

← Older revision		Revision as of 10:07, 14 August 2009
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	The reception breaks up after Estus has a heated exchange with the [[Scala Theatre]]'s manager, who is pulling the plug on the production because of the riot. Arrangements are made by the new acquaintances to meet for lunch at the weekend.		The reception breaks up after Estus has a heated exchange with the [[Scala Theatre]]'s manager, who is pulling the plug on the production because of the riot. Arrangements are made by the new acquaintances to meet for lunch at the weekend.

	===October 18th ~~and~~ 19th 1928===		===October 18th & 19th 1928===

	[[Nathaniel Browne]] dreams several times of playing in a discordant orchestra, with a picture of the [[Yellow Sign]] instead of music. Researching the play’s origins he discovers the works of [[Robert W Chambers]] and that multiple plays of the same name appear to have existed in the past. He starts to write stories featuring elements from the play.		[[Nathaniel Browne]] dreams several times of playing in a discordant orchestra, with a picture of the [[Yellow Sign]] instead of music. Researching the play’s origins he discovers the works of [[Robert W Chambers]] and that multiple plays of the same name appear to have existed in the past. He starts to write stories featuring elements from the play.

Binder: /* Audio Recording */

2009-08-11T06:55:30Z

Audio Recording

← Older revision		Revision as of 19:55, 11 August 2009
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	==Audio Recording==		==Audio Recording==

	~~Link to come~~...		Session 1 - Total Running Time : 1h 40m (28 Meg)

			[http://www.unboundbook.org/wiki/attachments/UBB_Tatters_of_the_King_-_Session_One.mp3 Opening Night] - Note: This recording is quite quiet and has some quality issues.

Greywolf: /* October 20th 1928 */

2009-02-03T02:01:58Z

October 20th 1928

← Older revision		Revision as of 15:01, 3 February 2009
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	===October 20th 1928===		===October 20th 1928===

	The four new friends meet for lunch at Overton’s Oyster House. The play is discussed. [[Nathaniel Browne]], given a script by [[Talbot Estus]], has discovered that the play as performed does not match the [http://~~greywolfnz~~.~~homeip.net~~/wiki/~~attachments~~/CARCOSA.pdf script] that Estus wrote. [[Andrew Saunders]] agrees to mention this to his sister, [[Hannah Keith]].		The four new friends meet for lunch at Overton’s Oyster House. The play is discussed. [[Nathaniel Browne]], given a script by [[Talbot Estus]], has discovered that the play as performed does not match the [http://unboundbook.org/wiki/images/6/67/CARCOSA.pdf script] that Estus wrote. [[Andrew Saunders]] agrees to mention this to his sister, [[Hannah Keith]].

	At tea, Saunders discovers that both his sister and her husband have identical scripts to Browne's, and claim to have performed the play as written.		At tea, Saunders discovers that both his sister and her husband have identical scripts to Browne's, and claim to have performed the play as written.

Greywolf: /* October 20th 1928 */

2007-09-14T03:33:45Z

October 20th 1928

← Older revision		Revision as of 16:33, 14 September 2007
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	Meanwhile, [[Dr Bartlett]] receives an intriguing letter from an asylum superindendent in Herefordshire…		Meanwhile, [[Dr Bartlett]] receives an intriguing letter from an asylum superindendent in Herefordshire…

	[[~~Continue to~~ Session 1.5]].		Continue to [[Session 1.5]].

	==Audio Recording==		==Audio Recording==

	Link to come...		Link to come...