Carcosa, or The Queen and the Stranger: Difference between revisions

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[[Image:01_Playbill.png|right]]
[[Image:01_Playbill.png|right]]
[[Image:02 Cast List.png|right]]
[[Image:02 Cast List.png|right]]
A fantasy in 2 acts by [[Talbot Estus]] performed by [[The Group]] at the [[Scala]] theatre on the 17th of October 1928.
A fantasy in two acts by [[Talbot Estus]] performed by 'The Group' at the [[Scala]] theatre on the 17th of October 1928.


==Cast==
==Cast==
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Uoht, younger son of [[Cassilda]] and Naotalba, [[Cassilda]]'s high priest - Mr. [[George Keith]]
Uoht, younger son of [[Cassilda]] and Naotalba, [[Cassilda]]'s high priest - Mr. [[George Keith]]


Camilla, daughter of [[Cassilda]] - Ms. [[Jean Hewart]]
[[Camilla]], daughter of [[Cassilda]] - Ms. [[Jean Hewart]]


[[The Stranger]] - Mr. [[Michael Gillen]]
[[The Stranger]] - Mr. [[Michael Gillen]]
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[[The King in Yellow]] - Mr. [[Talbot Estus]]
[[The King in Yellow]] - Mr. [[Talbot Estus]]


==Act 1==
==The Story==


Scene 1:
[[Cassilda]] is Queen of a City ([[Yhtill]]) which overlooks the Lake of Hali.
The queen ([[Cassilda]]) of the city of [[Yhtill]] reclines on a couch on a palace balcony. During the scene, the queen's children enter and discuss with her issues of succession. Some impressions are given during this scene:
On the far shore of Hali, when the [[Hyades]] rise, can be seen the mysterious city of [[Carcosa]], a city with five [[singularities]] (of which four are revealed). It is said [[The King in Yellow]] rules there.
Yhtill is at war with the city of [[Alar]], ruled by [[Aldones]] who is closely related to [[Cassilda]] – there is an endless stalemate in this war.
Nothing ever happens of note in [[Yhtill]].


1. [[Yhtill]] is involved in a protracted war with its rival, [[Alar]].
There is an endless debate about the succession between Cassilda’s two sons that seems to hinge on which one their sister Camilla chooses as her husband.


2. [[Yhtill]] is a city in stasis. Very little ever happens there.
[[Cassilda]] fears the coming of [[The Yellow Sign]] – a symbol sent from [[Carcosa]] to all Yhtillian monarchs. Its significance is unclear
A [[stranger]] wearing a pale mask arrives in the city, causing a great commotion.


3. A much greater city, called [[Carcosa]] exists, but no one knows where it is.
[[The stranger]] tells the royal family that the mask is a weapon against the [[King in Yellow]]. He reveals that he wears the [[Yellow Sign]] – and later claims he does this as a sign of its powerlessness against the [[Pallid Mask]], but its revelation causes horror amongst the royal family.


4. The talks of succession have been going on a long time, the conversation simply a repitition of what has been said many times before.
[[The Stranger]] suggests a masked ball, in which all shall wear the [[Pallid Mask]], and thus be free forever of the influence of the King.


Scene 2:
During the ball, the [[Stranger]] reveals that he is a spy from [[Alar]], and that he wears no Mask.
The queen sits in her receiving room in the palace. A child enters and talks to the queen in a familiar fashion, though it's not cleear if they are family. The two speak of [[Carcosa]], and the two discuss four [[singularities]] of the city (the fifth is mentioned, but not revealed). Naotalba, the high priest, enters and announces that something unprecendented has occured, a [[stranger]] has arrived in the city.


Scene 3:
At this, the [[King in Yellow]] makes his appearance, slays [[the Stranger]] and tells the people of [[Yhtill]] that Yhtill and [[Carcosa]] are now the same city, and that the price of this alliance against [[Alar]], which will be destroyed is the ‘fixing of the Mask’ – [[Cassilda]] and her family are horrifed and the King ends by asking ‘Did you think to be human still?’
The queen converses with the stranger who reveals that a pallid mask (which he wears) offers protection against  [[The King in Yellow]] who dwells in [[Carcosa]]. Toward the end of the scene, the [[stranger]] moves as if to embrace the queen, but instead throws open his robe to reveal, emblazoned on his tunic underneath, [[The Yellow Sign]]. At this, [[Cassilda]] screams and faints, and the curtain comes down.


==Intermission==
==Oddities==
 
==Act 2==
 
Prototaph:
Before the curtain rises, the child emerges and gives a very strange speech about how the audience has made a fateful choice by deciding to hear the rest of the play, and it is now too late to avoid it.
 
Scene 1:
[[Cassilda]] sings about [[Carcosa]]


Scene 2:
The play as described (which is as it was seen by the PCs) differs significantly from the [http://tatterswiki.ddns.net/images/6/67/CARCOSA.pdf script], but the performers say that they performed the script exactly as written.
The stranger converses with the queen and her children, each of them trying to enlist the stranger's help for their own gain. During all of this, only the child and the [[stranger]] stand mute.


Scene 3:
In both versions of the play large sections of exposition appear to be missing – the cause and effect relationships between various elements are a total mystery. The character of the Child, for example is very peculiar.
A masked ball is taking place on the palace balcony, all are intricately masked. [[The Stranger]] wears a bonelike mask and moves stiffly and without gaity. The other gradually doff their masks, but the stranger keeps his. Camilla challenges him to remove his mask, at which point the [[stranger]] reveals that he does not wear a mask, but is the 'Pallid Mask itself' and the '[[Phantom of Truth]]' from [[Alar]]. He says that his star is [[Aldebaran]] and his weapon is truth which will end the war. Naotalba points out the window, to reveal that the moon has risen and that behind it loom the towers of [[Carcosa]]. A voice cries across the lake for 'Haita', though it is not known what this means. The voice asks thrice 'Have you found [[The Yellow Sign]]?'. [[The Stranger]] challenges the voice, stating that he is the [[Phantom of Truth]], but the voice dismisses the  challenge and states to the people of [[Yhtill]] that it is a terrible thing to fall into the hands of [[The Living God]]. [[The King in Yellow]] appears, and talks to the queen and the priest. As they have all seen the yellow sign, they must all wear the mask forever and [[Yhtill]]'s punishment for attempting to defy him will be to become part of [[Carcosa]] and all within no longer quite human. The [[King in Yellow]] then vanishes, and the child runs out of the crowd and takes [[The Stranger]] by the hand, leading him off behind the King. The play ends with some lines delivered by the child, but these were drowned out.
 
==Oddities==


The play as described (which is as it was seen by the PCs) differs significantly from the [[Image:CARCOSA.pdf script]], but the performers say that they performed the script exactly as written.
At the beginning of the second act, the child delivers a speech in front of the closed curtain indicating that it is now too late for the audience and that by returning to watch the second act they have committed themselves to the consequences.


During the play, people's reactions did not seem to be in line with what was actually happening on the stage. People would react with gasps or laughter at points where nothing appeared to elicit surprise or humour.
During the play, people's reactions did not seem to be in line with what was actually happening on the stage. People would react with gasps or laughter at points where nothing appeared to elicit surprise or humour.


[[Nathaniel Browne]] noted that in the latter part of the first act, there appeared to be something being said ver subtley between the lines.
[[Nathaniel Browne]] noted that in the latter part of the first act, there appeared to be something being said very subtley between the lines.


He also noticed a couple two rows in front of him leave during this time, but the other PCs said that this did not occur.
He also noticed a couple two rows in front of him leave during this time, but the other PCs said that this event did not occur.


The play, particularly [[The Yellow Sign]] seemed to affect some people very strongly emotionally, whereas others were affected little, if at all. After the King's exit in the last scene, there were many people overcome with emotion. [[Nathaniel Browne]] cried uncontrollably, while the man next to him punched his wife in the face.
The play, particularly [[The Yellow Sign]] seemed to affect the emotions of some people very strongly, whereas others were affected little, if at all. After the King's exit in the last scene, there were many people overcome with emotion (to the point of almost fomenting a riot). [[Nathaniel Browne]] cried uncontrollably, while the man next to him punched his wife in the face. Due to the uproar, the last few lines of the play were drowned out.


Some people seem to have watched (or thought they have seen) different versions of scenes than others.
Some people seem to have watched (or thought they have seen) different versions of scenes than others.

Latest revision as of 15:48, 30 July 2021

A fantasy in two acts by Talbot Estus performed by 'The Group' at the Scala theatre on the 17th of October 1928.

Cast

Cassilda, queen of Yhtill - Mrs. Hannah Keith

Thale, older son of Cassilda - Mr. Walter Paige

Uoht, younger son of Cassilda and Naotalba, Cassilda's high priest - Mr. George Keith

Camilla, daughter of Cassilda - Ms. Jean Hewart

The Stranger - Mr. Michael Gillen

The King in Yellow - Mr. Talbot Estus

The Story

Cassilda is Queen of a City (Yhtill) which overlooks the Lake of Hali.

On the far shore of Hali, when the Hyades rise, can be seen the mysterious city of Carcosa, a city with five singularities (of which four are revealed). It is said The King in Yellow rules there.

Yhtill is at war with the city of Alar, ruled by Aldones who is closely related to Cassilda – there is an endless stalemate in this war.

Nothing ever happens of note in Yhtill.

There is an endless debate about the succession between Cassilda’s two sons that seems to hinge on which one their sister Camilla chooses as her husband.

Cassilda fears the coming of The Yellow Sign – a symbol sent from Carcosa to all Yhtillian monarchs. Its significance is unclear

A stranger wearing a pale mask arrives in the city, causing a great commotion.

The stranger tells the royal family that the mask is a weapon against the King in Yellow. He reveals that he wears the Yellow Sign – and later claims he does this as a sign of its powerlessness against the Pallid Mask, but its revelation causes horror amongst the royal family.

The Stranger suggests a masked ball, in which all shall wear the Pallid Mask, and thus be free forever of the influence of the King.

During the ball, the Stranger reveals that he is a spy from Alar, and that he wears no Mask.

At this, the King in Yellow makes his appearance, slays the Stranger and tells the people of Yhtill that Yhtill and Carcosa are now the same city, and that the price of this alliance against Alar, which will be destroyed is the ‘fixing of the Mask’ – Cassilda and her family are horrifed and the King ends by asking ‘Did you think to be human still?’

Oddities

The play as described (which is as it was seen by the PCs) differs significantly from the script, but the performers say that they performed the script exactly as written.

In both versions of the play large sections of exposition appear to be missing – the cause and effect relationships between various elements are a total mystery. The character of the Child, for example is very peculiar.

At the beginning of the second act, the child delivers a speech in front of the closed curtain indicating that it is now too late for the audience and that by returning to watch the second act they have committed themselves to the consequences.

During the play, people's reactions did not seem to be in line with what was actually happening on the stage. People would react with gasps or laughter at points where nothing appeared to elicit surprise or humour.

Nathaniel Browne noted that in the latter part of the first act, there appeared to be something being said very subtley between the lines.

He also noticed a couple two rows in front of him leave during this time, but the other PCs said that this event did not occur.

The play, particularly The Yellow Sign seemed to affect the emotions of some people very strongly, whereas others were affected little, if at all. After the King's exit in the last scene, there were many people overcome with emotion (to the point of almost fomenting a riot). Nathaniel Browne cried uncontrollably, while the man next to him punched his wife in the face. Due to the uproar, the last few lines of the play were drowned out.

Some people seem to have watched (or thought they have seen) different versions of scenes than others.

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